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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--st-clare-of-montefalco-parish--school-building.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--st-clare-of-montefalco-parish--school-building.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – St. Clare of Montefalco Parish – School Building</title>
    <description> <![CDATA[ 



Last week we presented the story of 864 Rivard. Built around 1908 (or before), it is not only one of Grosse Pointe’s oldest homes, but one of a few Saltbox style properties found in the community.


This week we turn our attention to St. Clare of Montefalco Parish. 2026 marks the 100th Anniversary of this important parish, so in honor of this momentous occasion we are beginning a two-part series which will feature the history of the school and the church. 


The origins of St Clare Parish date back to 1923, when Father James A. McDonald, pastor of St. Augustine Church in Hamtramck, was chosen to lead the new St. Clare Parish, which was to be overseen by the Augustinian Fathers. The first Sunday mass for the new parish was held on October 3, 1926, at the Colony Theatre (located on Mack and Balfour). It is reported over 500 new parishioners were in attendance over three masses. A temporary chapel and rectory were then purchased (located at 3444 Bedford in Detroit) for weekday masses. Source: stclarem.org.


Parish School


By the summer of 1926, St. Clare Parish had commissioned the architectural firm of Van Leyen, Schilling &amp; Keogh to design the building for its new school. The announcement for the new Catholic parochial school, to be located at 16231 Charlevoix (on the corner of Audubon in Grosse Pointe Park), was made by Rev. James A. McDonald on 14 August 1926. Image: Detroit Free Press (August 1926).





It was reported ““The school would be created in a Spanish architectural style, constructed from brick and stone with a tile roof. The exterior would receive distinctive treatment by the erection of a tower immediately to the right of the entrance. The tower was designed to impart a church like appearance since the school would serve as a church temporarily and to harmonize with the architecture of the proposed church rectory and convent that were to follow. It was also designed in such a way that another wing could be added to each end.” Source: Detroit Free Press (August 1926).


The article in the Detroit Free Press also explained “The two-story building would contain eight classrooms. A feature was an auditorium with seating capacity for 600 persons. It was intended the auditorium would be where church services would be held pending the erection of a church edifice. In addition to the classrooms there was to be a principal's office, waiting room, check room on the ground floor, and a library book room, teacher’s restroom, and a clinic on the 2nd floor. Stairways in the rear of the building would lead direct to the playground. The basement would contain a large community room equipped with a stage - this room would be available for gatherings during the period when the large auditorium was being used for church purposes. The plans also included facilities for the future installation of locker rooms and showers for boys and girls.”


The St Clare School building was completed in 1927 and opened that September with an initial enrollment of 300 students with the Dominican Sisters from Columbus, Ohio in charge. By 1928, the school had 420 students. One year later, a rectory, convent, and four additional classrooms had been added.


In 1963, the enrollment of students at the school was up to 1,184. During the 1970’s we understand “Grosse Pointe Park approved the closing of Audubon between Mack and Charlevoix so St. Clare school could expand. In 1978, ground was broken on a new school building and gym, across the street named The Sweeney Center. Source: stclarem.org Images courtesy of: Google.com and Homes.com

















The architectural firm who designed the school was Van Leyen, Schilling &amp; Keogh. Edward C. Van Leyen was born February 23, 1867, in Detroit. He initially trained as a draftsman with the prestigious firm of John Scott &amp; Co., before opening his own practice in 1886. A year later, in 1887, he partnered with Charles Preston – the duo worked together until 1890. Van Leyen was then linked with fellow architect James Hackett. In 1908, Van Leyen teamed up with Edward A. Schilling to create the firm of Van Leyen and Schilling.


Edward A. Schilling was born in Auburn, New York on November 7, 1871. He was raised in Michigan and arrived in Detroit around 1889. It is understood he worked in the office of Edward C. Van Leyen before opening his own office. As mentioned above he teamed up again with Van Leyen to form their own firm.


Henry James Keough was born in Richfeld, New York on January 1, 1883. Having graduated from Syracuse University it is believed he arrived in Detroit around 1911 and was employed by Van Leyen and Schilling as a draftsman. He then became an associate of the firm in 1916, and was named partner in 1926 to create Van Leyen, Schilling, Keogh and Reynolds. By 1935 he had opened his own office.


The firm of Van Leyen, Schilling, Keogh &amp; Reynolds worked on many prestigious projects including Fordson High School in Dearborn, Belle Isle Casino, multiple homes in Metro Detroit, along with schools, and churches, including St. Agnes Catholic Church in Detroit. Source: historicdetroit.org.


Today the St. Clare of Montefalco school still serves the parish, welcoming student’s preschool through eighth grade – “providing a quality Catholic education focused on Faith, Academics, and Life-Long Service.”


We will continue the story of St. Clare of Montefalco Parish next week with the history of the church.


If you have a home, building or street you would like us to profile please contact Higbie Maxon Agney – homes@higbiemaxon.com - we will try and feature the property.


 


 


* Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.


 


Written by Katie DoelleCopyright © 2026 Higbie Maxon Agney &amp; Katie Doelle 

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    <pubDate>Tue, 10 Mar 2026 11:26:00 -0500</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--864-rivard.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--864-rivard.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – 864 Rivard</title>
    <description> <![CDATA[ 



Last week we explored the work of a lesser known, yet prominent Detroit based firm Palmquist &amp; Wright who were known for designing Mid-Century Modern style homes, along with creating hundreds of house plans that were published in books and catalogues. 


This week we move away from modern style houses to delve into the history of one of Grosse Pointe’s oldest homes, 864 Rivard, one of a few Saltbox style homes found in the community. The post was a request from Sandy Yarrington whose great-grandmother and grandparents once lived at the property.


It is believed 864 Rivard was built in 1908, however there is a distinct possibility it may have been completed during the late 1800’s or possibly earlier. It is not known who the original family was who lived there, however one of the earliest inhabitants was Elizabeth (Peters) Trombley (born on August 21, 1867). Elizabeth was Sandy Yarrington’s great-grandmother. It is possible the house was built for Elizabeth and her husband Victor J. Trombley (born on August 8, 1863). This would mean it was the homestead for members of the Trombley family, one of the earliest French families to inhabit Grosse Pointe. Victor and Elizabeth were married on 26 May 1890. Was 864 Rivard built as their marital home?





It appears Victor and Elizabth had ten children, their youngest daughter was Evelyn Mary Trombley (born on September 7, 1907). Sandy explained Evelyn was her grandmother, and her husband, Theordore Alfred Vernier, was her grandfather. Both Theordore and Evelyn came from families (the Vernier’s and the Trombley’s) that had owned some of the early ribbon farms in the community. They are also two of the oldest French families to move to Grosse Pointe – thought to be in the late 1700’s or the early 1800’s.


Theordore (born on April 11, 1900) and Evelyn were married on October 27, 1926. They moved in with Sandy’s Great-Grandmother, Elizabeth Trombley, with the knowledge they could keep the house if they cared for her (Elizabeth passed on June 22, 1942). Sandy has confirmed her grandparents resided at 864 Rivard until 1970. The house was listed for sale after her grandfather passed away (on August 10, 1970). It was also where Sandy’s mother Judith grew up.


Sandy’s family (on the Vernier side) are descendants of John Baptiste and Catherine Vernier who arrived in Grosse Pointe around 1808, when John Baptiste (a farmer) put in a claim for 220.05 acres of land in Grosse Pointe, which was granted and confirmed by the United States Commissioners. Catherine Vernier passed in 1831 and Jean Baptiste in 1834 – their head stones are thought to be the oldest stones in St. Paul’s Cemetery. You can read the full story of the cemetery here. And the story of the Vernier family here.


864 Rivard is a well-preserved example of a Saltbox Colonial, a style of home that was primarily found on the east coast of the United States. It is reported Saltbox houses are among the oldest examples of American Colonial-style architecture. They first appeared in New England circa 1650 and remained the go-to style through the 18th century. It is understood the name saltbox comes from the resemblance to the “wooden salt storage boxes that were a staple of Colonial kitchens. Hung on walls near the stove or sink, the boxes had slanted tops that opened on a hinge for easy access and resembled the slope of saltbox house roofs.” Source: thespruce.com


Typical traits of Saltbox style homes are an asymmetrical long-sloping roof (often called a &quot;cat-slide&quot;) that creates a two-story front and a one-story rear. They are built around a large central chimney, have a timber frame with a clapboard siding, and have a simple, streamlined geometric look. It is believed these style homes were designed for durability, snow shedding, and expansion.


At only 952 sq ft, 864 Rivard is one of the smallest homes in Grosse Pointe. The house, constructed from cedar with a shingle roof, has two bedrooms, a living room, dining room, kitchen, and a laundry room, but no basement. It once had a country style garden with a patio and a potting shed. Image courtesy of GoogleEarth.com





In November 1970, shortly after Theordore Vernier passed, the property was listed for sale for $18,900 (around $158,000 today). By 1975 it was still on the market and was sold for $15,500 to Daniel R. Steffes.


864 Rivard is not only a wonderful example of a Saltbox home, but it is also one of the most historic homes in Grosse Pointe. Unfortunately, it is proving to be incredibly difficult to not only confirm the date it was built but to also uncover the history of this property. It is clear it has belonged to two of the oldest families in Grosse Pointe – The Trombley’s and the Vernier’s, and that alone makes it a very special residence.


If anyone has any further history on 864 Rivard, or if you know of any other Saltbox homes in Grosse Pointe, we would love to hear from you.


Finally, we would like to thank Sandy Yarrington for contacting us about her grandparents’ home.



If you have a home, building or street you would like us to profile please contact Higbie Maxon Agney – homes@higbiemaxon.com - we will try and feature the property.


 


*Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.


 


Written by Katie DoelleCopyright © 2026 Higbie Maxon Agney &amp; Katie Doelle

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    <pubDate>Tue, 03 Mar 2026 07:36:00 -0600</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--architects-palmquist--wright.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--architects-palmquist--wright.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – Architects, Palmquist &amp; Wright</title>
    <description> <![CDATA[ 



Last week we explored 920 Whittier in Grosse Pointe Park, a fine example of an International style home, designed by renowned commercial architect Gaston John Stevens for himself in 1967.


This week we stay with the theme of modern style architecture as we look at the work of a lesser known, yet prominent Detroit based firm Palmquist &amp; Wright who were known for designing Mid-Century Modern style homes, along with creating house plans that were published in books and catalogues.


The firm of Irving E. Palmquist and Clifford N. Wright specialized in functional, stylish residential designs. It is understood they worked extensively with designer/builder Richard B. Pollman. It was Pollman who promoted Palmquist &amp; Wright as the chosen architects for the homes he built and sold – this included numerous advertisements such as the one below (from the Detroit Free Press, September 1951). Many of the ads highlighted the Richard B. Pollman Building Company as having over 400 designs (created by Palmquist &amp; Wright) for his clients to select from that would then be custom built to suit their every need. Another advertisement in 1955 promoted Home No. 449, a convenient split-level home.








Pollman (founder and president) along with his associates Palmquist &amp; Wright also ran a nationally acclaimed company called Home Planners, Inc., which was originally based in Farmington Hills. The company created modern home plans for the average homeowner which were published in books and catalogues between 1950 and 1970. Their extensive collection of Mid-Century Modern home designs included Ranch houses, small homes, and later specialized in designs with, for example, homes for narrow lots and European style homes.The company released hundreds of titles, including numerous publications such as - Homes of Natural Stone (1953), 92 Low-cost Ranch Homes (1955), Home Planners 142 Popular Designs (1960s), 200 Small House Plans, and the Encyclopedia of Home Designs. Pollman and Palmquist are credited with over 2,500 mid-century modern house plans. Images courtesy of: archive.org








Irving Eugene Palmquist was born in Ironwood in 1911. He graduated with a degree in architecture from University of Michigan in 1936. It is understood he served as president of Palmquist &amp; Wright (from 1947—1955), as well as holding the position of vice president of Pollman-Palmquist Builders in Detroit (from 1946—1955). During this time, he along with Wright and Pollman also ran their company, Home Planners Inc. Then, from 1955 – 1972 he worked as an architect for the University of Michigan. Source: midcenturymidland.org. He passed in 1992.


Clifford N. Wright was a graduate of Lawrence Institute of Technology. Aside from running the firm with Palmquist and holding a senior position at Home Planners Inc., Wright also contributed house plan designs to several national magazines, such as House &amp; Garden and Better Homes &amp; Gardens. Source: michiganmodern.org. In 1955, after Wright and Palmquist went their separate ways, Clifford N. Wright formed his own firm, Clifford N. Wright &amp; Associates.


Richard Pollman, the longtime associate and partner of Palmquist &amp; Wright, was born in Kansas in 1914. He graduated from the University of Michigan in 1936 with a degree in architecture. It has been suggested, from the late 1950s through to the 1970s, Mr. Pollman, along with his partner, Irving Palmquist, did much to popularize the mid-century modern house design. He passed in 1980.


Here in Grosse Pointe, it appears the firm of Palmquist &amp; Wright designed at least 3 homes, including


1009 Cadieux – 1951





1265 Harvard – 1954





15451 Windmill Pointe – 1955 for Howard D. Wixon


This contemporary Colonial home overlooks Lake St. Clair. The house has an open floor plan, which includes a huge second floor terrace above the garage that led to the third bedroom. Over the years the property has undergone extensive alterations.











Outside of Grosse Pointe four of Irving Palmquist’s most prominent homes are in Midland




       6106 Sturgeon Creek Parkway, Midland


       4212 Orchard, Midland


       1209 Crestwood Ct, Midland


       4315 James, Midland




While Palmquist &amp; Wright, along with Richard Pollman may not be household names, they played a significant role in helping Mid Century Modern homes become firmly established in the state of Michigan from the 1950’s through to the 1970’s. Given their extensive collection of house plans, there may be more of their work in Grosse Pointe than we know about.


 


* Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.



Written by Katie Doelle


Copyright © 2026 Higbie Maxon Agney &amp; Katie Doelle

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    <pubDate>Tue, 24 Feb 2026 08:25:00 -0600</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--920-whittier.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--920-whittier.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – 920 Whittier</title>
    <description> <![CDATA[ 



Last week we concluded our presentation on D. Allen Wright as we explored what is arguably his most prominent creation in Grosse Pointe, 166 Ridge Road - a stunning French inspired property he completed in 1927, for Charles F. Lambert, president of the Clayton &amp; Lambert Manufacturing Company.


This week we head to 920 Whittier in Grosse Pointe Park, a fine example of an International style home, designed by renowned commercial architect Gaston John Stevens for himself in 1967.





920 Whittier was the subject of our recent free lecture at the Central Library in January. Current owner Dick Ruzzin gave a fascinating presentation about the house and how the International style played a big part in influencing its design. The following article expands on some of the details shared by Mr. Ruzzin about his home and provides further information about the International style movement.


In designing 920 Whittier, architect G. John Stevens focused on creating an energy efficient property for himself, while incorporating design principles from the International movement into various elements of the house. The residence is situated on a large lot with multiple trees including several apple trees - Mr. Ruzzin said the lot was originally part of the grounds of a neighboring home. The 2,222 sq ft house is constructed from brick that was originally painted white and has a hot tar roof. The main floor includes a large 25’ x 22’ ft living room, a 10’ x 9’ ft dining room, a 9’ x 9’ kitchen along with a breakfast nook, and a 12’ x 9’ ft library. Upstairs there are three bedrooms all similar size. The living room has a free-standing fireplace with stucco and glazed red tile, while there is an open skylight above the stairs. Images courtesy of: Katie Doelle.











On 3 March 1981, John Stevens reluctantly listed the house for sale for $175,000 (around $624,000 today). At the time he was building a new home for himself at 3 Elmsleigh. After 920 Whittier had been on the market for 9 months the price was reduced to $148,000 and was eventually purchased for $134,000 in December 1981, by Dick Ruzzin who has lived there ever since. Mr. Ruzzin, a renowned designed with GM, has dedicated his time to turning the home into a “masterpiece” which has evolved into a 50-year project. Much of the furniture in the house was purchased by Mr. Ruzzin in New York, from the Museum of Modern Art. The dining room and the living room have been created to reflect the International style and include several recognized pieces of furniture such as the Eames chair, the Rietveld chair, and the Artek Aalto Tea Trolley. Other pieces of furniture were purchased locally, while Mr. Ruzzin made some of the pieces himself. Images courtesy of: Katie Doelle.








Aside from the Whittier house, there are several wonderful examples of International style homes in Grosse Pointe. The International style is an important design movement that began in 1923. It influenced many aspects of life during the 1920’s and 1930’s, influencing creations of all kinds such as fashion, industrial design, graphic design, products, automobiles, fine art, household objects, furniture, and architecture.


During the 1920’s the International style grew in popularity in Europe, thanks in part to the growing influence of the Bauhaus in Germany. It began to gather pace in the US at the beginning of the 1930’s, with many US cities on the east coast utilizing the change in building materials to build commercial buildings, including skyscrapers, led by pioneering architects in this era such as Philip Johnson. At the same time groundbreaking residential projects were being created by Frank Lloyd Wright and Eliel Saarinen to name but a few.


Not only did the movement influence design but also the materials things were made from, relying heavily on the use of steel and glass. The International style brought about a new way of thinking with many designers of the 1920’s and 40’s opting to move away from their tried and trusted “traditional approach” to focus more on the use of geometric shapes, simplicity, light, space, and a heightened use of primary colors - red, yellow and blue. Leading artists and designers of that era chose to embrace the movement including popular artists of that era - Mondrian and Matisse. During the 1940’s world renowned architect and interior designer Mies Van Der Rohe (the last director of the Bauhaus) began to “focus his efforts on enclosing open and adaptable &quot;universal&quot; spaces with clearly arranged structural frameworks, featuring prefabricated steel shapes filled in with large sheets of glass.” Source: Wikipedia. One of Mies Van Der Rohe’s most renowned projects is Lafayette Park in Detroit, often described as the greatest collection of his buildings in one place in the world – learn more here.


Here in Grosse Pointe one such architect influenced by the International style movement was G. John Stevens, when he created 920 Whittier. Born in Belgium on 4 January 1936, Mr. Stevens was educated at Ecole D’ Archicture Superieur in Brussels in 1952 – 55. Mr. Stevens then continued his studies in at the University of Toronto (1955 – 60). One year after graduation Stevens was invited to continue his design studies in Switzerland with world renowned architect Professor Jean Tschumi. During this time, he won an international architectural design competition. Upon completion of his projects in Switzerland Stevens returned to Canada where he worked for architectural firms and was a part time instructor at the University of Toronto and the Central Technical School in Toronto. Prior to moving to the United States Stevens was commissioned to design a new church for Our Lady of Sorrows Parish in Detroit. Following his move to Detroit he was hired as an architect at the firm of Eberle M. Smith Associates, Architects and Engineers. Source and image: Michigan Society of Architects Magazine (April 1967).





In April 1967, Mr. Stevens started his own practice, John Stevens Associates, Architects, Engineers &amp; Planners. It was an accomplished firm that not only were hired, during the later part of the twentieth century, to design numerous commercial buildings, but also to make renovations to many existing downtown Detroit properties. The design of the Johnson Recreation Center (completed in 1977) won an honor award from the Detroit Chapter of the American Institute of Architects (AIA) for the firm in 1979. During this period, the company were working on many commercial structures in the city, such as




       Renovations for the Peoples Wayne County Bank Building (also known as the State Savings Bank Building)


       The Center office building on East Jefferson Avenue (1972)


       Renovating the Cadillac Tower lobby and retail storefronts (1985)




It appears 920 Whittier was one of very few residential projects G. John Stevens created, but given the house was for himself it gave him the opportunity to be creative and design something he truly loved.



* Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.



Written by Katie Doelle


Copyright © 2026 HigbieMaxon Agney &amp; Katie Doelle
 ]]> </description>
    <pubDate>Tue, 17 Feb 2026 07:42:00 -0600</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--166-ridge-road.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--166-ridge-road.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – 166 Ridge Road</title>
    <description> <![CDATA[ 



Last week we reviewed the work D. Allen Wright, from 1930 onwards. It was during this phase of his career that he transitioned from creating his French inspired homes of the late 1920’s, into a designer that focused on modern International style residences and a series of state of the art houses.


This week we conclude our presentation on D. Allen Wright as we visit what is arguably his most prominent creation in Grosse Pointe, 166 Ridge Road - a stunning French inspired property he completed in 1927, for Charles F. Lambert, president of the Clayton &amp; Lambert Manufacturing Company.


Running through the heart of Grosse Pointe Farms is Ridge Road, one of the communities most historic streets. Based on research by the Grosse Pointe Historical Society, we understand, in 1885, most of the land between Ridge and Mack Avenue in Grosse Pointe Farms, was a heavily wooded swamp that extended several miles north and south. The nuns at the Grosse Pointe Academy (known as the Sacred Heart Academy in that era)owned the land that ran from the convent, via Kenwood, all the way to Ridge Road, and used much of it for farming. Fast-forward to the 1920’s and Grosse Pointe Farms was quickly transitioning from the farming community that was once such an integral part of the area to an affluent suburb for prosperous families and their grand estates.


Part of the transformation included 166 Ridge Road. Built in 1927, it was the new home of Charles F. Lambert, having been designed by D. Allen Wright, who had created the house in a French Normandy approach. This style had become popular in the U.S shortly after the First World War when French chateaus were a model of inspiration. Typical traits of this style include a turret toped by a conical cone-shaped roof, a steeply pitched roof, stone or a brick façade, an arched opening to the main entrance, tall flat chimneys, along with an asymmetrical configuration to the home.


The front of 166 Ridge is exquisite. Aside from the huge two-story turret, one of the more defining features is the front entrance with its stunning brickwork. Color image courtesy of: Realtor.com.











The interior of this 4,945 sq ft home, is filled with beautiful craftsmanship. The turret has a spiral staircase and a narrow stained-glass window. The main floor had, a one point, a large 14’ x 18’ ft dining room, an 18’ x 20’ ft living room with a beamed ceiling and dark cherry wood paneling. There was a bedroom for the maid, along with an 8’ x 11’ ft breakfast room that overlooked the large court garden which was surrounded by a brick wall. The second floor featured five bedrooms. The large 18’ x 28’ ft master bedroom had a natural fireplace, while the bedroom at the opposite end of the house opened onto a balcony. Second image: Michigan Architect and Engineer (1929).








The original owner of 166 Ridge, Charles Frederick Lambert, was born on 23 December 1896, in Ypsilanti. During his career he became president of the Clayton &amp; Lambert Manufacturing Company. The company began in Ypsilanti, Michigan in 1882, when the three Lambert Brothers (Charles’ uncles) started a business that manufactured the sale of gasoline burning torches, used in the soldering of pipes. It was reported, after adding a patented firepot (for melting lead) to the product line, the business grew quickly. In 1887, the firepot’s inventor, Mr. Clayton, joined the partnership. By 1899, demand for the company's products had increased beyond its production capacity and the brothers decided to move to larger premises in Detroit. In 1915 the Company established a metal stamping division for the manufacture of automotive parts. It was reported, “after the war times were good and business was booming. The metal stamping plant was sold to Hudson Motor Car Company. Clayton &amp; Lambert, now headed by Charles F. Lambert, moved into a new factory in 1929, and it continued to thrive.” Source: Coachbuilt.com


During the 1940’s the decision was made to move the headquarters of Clayton &amp; Lambert to Louisville, Kentucky. Charles Lambert and his wife, Dorothy, needed to relocate and subsequently listed 166 Ridge for sale. From a letter in our archives (dated 1943) it is apparent Mr. Lambert approached Higbie Maxon for a valuation, and to manage the sale. Paul Maxon, based on market conditions, valued the home between $35,000 and $45,000 (around $843,000 today). At the time the home was comparable with several other large prestigious homes (in the area) that were on the market – 80 Touraine, 75 Kenwood and 33 Hendrie Lane. Based on the economic conditions of that era it appears few houses in the area (of that size) listed at over $40,000 had sold. However, from our files the home was eventually sold in 1946 to a buyer (name unknown) in the trucking business.


A couple of years after D. Allen Wright completed 166 Ridge he adapted his style quite significantly, transitioning from his French inspired homes and adopting a more modern approach to his work. You can read the full story of Wrights career by clicking here and here.


166 Ridge is a delightful home. It is one of several wonderful examples of French inspired residences that can be found around the Grosse Pointe communities, created during a time of change, prosperity, and architectural transformation.


 


 


* Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.


 


Written by Katie DoelleCopyright © 2026 Higbie Maxon Agney &amp; Katie Doelle

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    <pubDate>Tue, 10 Feb 2026 08:02:00 -0600</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--architect-d-allen-wright--part-2.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--architect-d-allen-wright--part-2.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – Architect D. Allen Wright – Part 2</title>
    <description> <![CDATA[ 



Last week we began a two-part series on the work of D. Allen Wright, one of the most versatile designers to work in Grosse Pointe. He designed close to 30 homes in the community including some of the finest examples of French inspired residences in the area.


This week we continue the story of David Allen Wright with some of the projects he completed post 1930. It was during this phase of his career that he transitioned from creating his French inspired homes of the late 1920’s, into a designer that focused on more modern style residences that were growing in popularity across the United States, including several state of the art homes.


During the 1930’s Wright’s approach began to change considerably. Many of the homes he was designing were starting to display characteristics of modern architecture, primarily the International style, that was fast gaining popularity throughout Europe and America, thanks to the growing influence of the Bauhaus in Germany. The International style is an important architectural movement that began in 1923. It began to gather pace in the US at the beginning of the 1930’s, with many US cities on the East Coast utilizing the change in building materials to build commercial buildings, including skyscrapers, led by pioneering architects in this era such as Philip Johnson. At the same time groundbreaking residential projects were being created by Frank Lloyd Wright and Eliel Saarinen to name but a few.


The most common characteristics of International style buildings/homes are rectilinear forms, huge amounts of natural light, open interior spaces, and taut plain surfaces that have been completely stripped of applied ornamentation and decoration. Many homes created in this style also had geometric simplicity, a low roof with windows flush to the wall surface.


Two homes designed by D. Allen Wright in Grosse Pointe in the International style are:


905 Lakepointe - Grosse Pointe Park, 1937 – for Richard O'Brien.





846 Grand Marais - Grosse Pointe Park – 1937 - for the Liberty Starter Company.





By the early 1940’s Wright was a nationally recognized architect, specializing in medium priced state of the art homes. In a booklet produced in conjunction with Timken, a division of the Detroit Axle Company, it is apparent Wright was instrumental in designing a modern innovative home complete with a semi-circular kitchen, and a living-dining space, framed by curved walls and windows. Below is a copy of a print ad from the booklet. Image courtesy of: periodpaper.com





It was reported Mr. Wrights post war plans were “homes to meet the 30-billion-dollar demand of tomorrow.” The article explained “Wight planed on making full use of the new “miracle” materials and construction methods. They would be permanent yet flexible, so they could be enlarged to meet growing family needs with partitions that could be moved at will to make one room larger, or another smaller. They would combine privacy with plenty of light and living space and would contain conveniences unknown in the past. They would save steps, save work – and above all, save upkeep cost.”


The plan by Wright for the ‘multi-unit house’ was a home that could be built complete at one time, or in various stages. For example:




Stage 1 - start with the center unit that would contain the living room, sleeping quarters, kitchen and bath…a cozy modern home that could be quickly and easily expanded later.


Stage 2 - to be designed to include any combination of rooms…with a car shelter built over the driveway.


Stage 3 – would provide separate guest quarters or extra space for the family. Each unit would have independent individualized Timken automatic heating.










Wright also developed a project called the ‘Victory Home’. It was reported it would be mass-produced for low-income families, intended to have walls that wouldn’t crack, doors that wouldn’t swell, life-time interior finishes, and double-glazed windows to maximize the progress in heating and air conditioning. Floors were warmed by hot pipes.





Source and images: Detroit Free Press (June 1943).


David Allen Wright had a rich and varied career. From master designer of French architecture to creating innovative homes for the future. One could say he transitioned his approach more significantly than most.


 


* Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.



Written by Katie Doelle


Copyright © 2026 Higbie Maxon Agney &amp; Katie Doelle

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    <pubDate>Tue, 03 Feb 2026 07:57:00 -0600</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/2025-annual-report---grosse-pointe-real-estate.html</guid>
    <link>https://www.higbiemaxon.com/blog/2025-annual-report---grosse-pointe-real-estate.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>2025 Annual Report - Grosse Pointe Real Estate</title>
    <description> <![CDATA[ 



Higbie Maxon Agney is pleased to offer it's 2025 Grosse Pointe Real Estate Annual Report. Within this report you will find information on median sale prices, sales volume, real estate trends, and much more.


Our goal is to give you an accurate and complete picture of the 2025 Grosse Pointe housing market. All the graphs were produced internally for Higbie Maxon Agney using MiRealSource multiple listing service. We are confident that these are the best statistics currently available on the Grosse Pointe housing market, and we hope that you will find the contents of this report readable and useful. Over the coming months we will use this information to help our clients make informed, educated real estate decisions. 


Market Summary – 2025:The start of the year was an exciting time, with new beginnings, and possibilities. What transpired over the 12 months was an interesting year for both buyers and sellers. For sellers it became apparent it was a good time to sell due to the lack of competition. This resulted in many homes selling quickly and for above average price. However, for buyers, they had the challenge of limited inventory, unpredictable mortgage rates, and economic uncertainty.


During the summer months, generally peak selling season for the real estate market in Grosse Pointe, there were some fabulous homes for sale covering a broad spectrum of price points. The end of the year proved to be a good time to list a home for sale thanks in part to the slight reduction in mortgage rates, buyers looking to move, and the reduced inventory.


Despite the challenging year I do have some impressive statistics to share:




The Grosse Pointe median price in 2025 was $450,000, a respectable 17 increase since 2021.


Four out of five cities saw an increase in their median sales price over the past twelve months.


The median price in the city has increased by an incredible 54 since 2021, taking it above $600,000 for the first time.


59 homes were sold priced $1million or over, the highest number in over a decade.


The average price of a Condominium went above $400,000 for the first time*.


Most sales were recorded during the peak selling season, May through August, while the fall recorded the highest number of sales since 2022.




*Please note we are continuing to use the average sales price for Condominiums and multi-family homes.


Forecast for 2026:As you would expect, many questions remain about how the housing market might change in 2026. There are high expectations that improved mortgage rates, increased inventory, and more affordable options will help create a more balanced market.


Many experts have suggested a more balanced market could mean price growth would steady, slightly lower mortgage rates may offer breathing room, while negotiating power could tilt subtly toward buyers. As for sellers, home prices are expected to continue to climb in 2026, adding 2.2 median price appreciation to a typical home sold. Source: Realtor.com.


Increased sales are also expected in 2026, a sign that more buyers will be able to successfully navigate the market’s challenges. This may be helped by the “creative” mortgage options that many banks are now offering to help buyers.


Whatever happens over the coming months, we will be with you every step of the way.


To access the full report please click on the image below.




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    <pubDate>Mon, 02 Feb 2026 12:09:00 -0600</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--architect-d-allen-wright--part-1.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--architect-d-allen-wright--part-1.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – Architect D. Allen Wright – Part 1</title>
    <description> <![CDATA[ 



Last week we explored 20 Village Lane, an exquisite home designed by D. Allen Wright in 1927, for Harold B. Tyree, a veteran of World War I and vice president of Detroit Edison.


This week we stay with the work of D. Allen Wright as we begin a two-part presentation featuring many of the homes he designed in Grosse Pointe. It appears he designed close to 30 homes in the community. In part one we are going to focus on his French inspired period: 1926 – 1930.


David Allen Wright was born on July 19, 1886, in Springfield Township, Michigan. During his career he became a noted designer, both locally and nationally. Between 1926 and 1930, many of his creations appear to be large French inspired homes, typically in the Normandy and Provencal style – which provided many fine examples of this architectural approach.French style architecture was extremely popular in Grosse Pointe during the 1920’s through to the 1940’s.





Very little information is available about Wright’s career, but we have been able to piece together a brief introduction to the work of this versatile designer. Early on it appears Wright worked for the renowned architect Alvin E. Harley. During World War I, he stepped away from his career to serve overseas for 17 months with the 107th Engineers, 32nd Division. On his return to the United States, he took up his old position at Harley’s firm, however it’s not clear how long he continued to work for Harley before he set up his own practice. Over the course of his career Wright’s influence and architectural approach changed significantly – evident in the homes he created in Grosse Pointe - designed over a 14-year period.


For the French inspired work he created in the area, it primarily fell into two categories – Normandy and Provencal styles. It has been suggested; the French Normandy country house was the primary inspiration for the American Normandy style. This architectural approach began to become popular shortly after the First World War when French chateaus were a model of inspiration. Typical traits of this style include a steeply pitched roof, sometimes with a round stone tower with a conical top, a stone façade, an arched opening to the main entrance, tall narrow chimneys, along with an asymmetrical configuration to the home.


The French Provencal style is slightly less imposing. The key features tend to be symmetry and balance. Many of the exteriors are stone and feature long windows on the first floor, a steeply pitched roof, and tall slender chimney’s. Many of the doors and windows are arched and adorned by shutters.


Wright’s homes provide us with an excellent example of French architecture. Some of his work in this approach includes –


79 Kenwood – 1926





166 Ridge – 1927





29 Roslyn – 1928





93 Cloverly – 1927


87 Cloverly– 1928


104 Kenwood – 1928





65 Moran – 1929





114 Lewiston - 1929


The 8,820 sq ft house is one of Wright’s larger homes. As with many of the French Provencal style homes found in the community, the triangular shaped roof is steeply pitched, shutters adorn the windows, and there are at least two tall, narrow chimneys.





Aside from the French inspired single family homes Wright created between 1926 and 1930, he also designed a series of terraced houses on or near Rivard.


Two of Wrights terrace projects were completed in 1926. The first set were English inspired terraces located on the corner of Rivard and Maumee – see image below (courtesy of: Detroit Free Press, August 1926). The second set are located on the corner of Rivard and Charles, while a third set is located between Jefferson and Maumee. Third image courtesy of: Detroit Free Press, July 1926).














1928 saw the construction of Wright’s fourth set of terraces, located on the corner of Maumee and Notre Dame. They have instantly recognizable Tudor characteristics - the brick exterior incorporates a distinctive timbered section. The units vary considerably in size, from around 3,000 sq ft, to a unit that is closer to 1,791 sq ft.


Also, in the late 1920’s Wright designed:


15200 Windmill Pointe Drive – 1927


706 Balfour - 1927





102 Touraine - Grosse Pointe Farms – 1928


94 Touraine - Grosse Pointe Farms – 1928





20 Village Lane - 1929


 


Next week we continue the story of David Allen wright with the projects he completed after 1930.


 


* Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.



Written by Katie Doelle


Copyright © 2026 Higbie Maxon Agney &amp; Katie Doelle
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    <pubDate>Tue, 27 Jan 2026 08:07:00 -0600</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--20-village-lane.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--20-village-lane.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – 20 Village Lane</title>
    <description> <![CDATA[ 



Last week we visited Kenwood Road, Grosse Pointe Farms, to explore a fine selection of beautifully crafted houses that were created by some of the leading architects of the early 20th century.


Two of the homes we featured were designed by D. Allen Wright. So, this week we are going to look at another of Wright’s creations, 20 Village Lane (formerly 16910 Village Lane) in Grosse Pointe. Completed in 1927, it was designed for Harold B. Tyree, vice president of Detroit Edison.


20 Village Lane was featured in Architectural Forum magazine (October 1935) and the Book of Small Houses (1936). It is a uniquely styled English Cotswold home. At just over 2,000 sq ft the asymmetrical house is bigger than it looks and is perfectly formed. The article in the Book of Small Houses explains “this pleasant little house might have been transplanted from one of the southern counties of England. With walls of red brick and a wood shingled roof, the treatment unmistakably belongs to the picturesque cottage school.” 





The house has a well-organized floor plan, with hardwood floors throughout along with cork insulation. Every room had ample storage. The living room had a fireplace, as did the master suite. Given the original owner, Harold B. Tyree, was vice president of Detroit Edison, it was acknowledged the house had top wiring with many outlets.


Original owner, Harold Burdick Tyree, was born on 11 June 1894, in Huntington, Cabell, West Virginia. He was a captain in the army in Europe during World War I and head of the Tank and Automotive Section for the Detroit Ordinance District in World War II. Following his marriage to Lucile Greene on 8 June 1921, in Spokane, Washington, the couple moved to Grosse Pointe. Following World War II Mr. Tyree served as defense director for Detroit Edison for six years before his retirement in 1959. He passed on April 02, 1961.


It appears Mr. Tyree first listed 20 Village Lane for sale in November 1935, for $13,500 (around $319,000 today). In September 1945, the house was still on the market while he waited for a suitable offer. By this point Mr. Tyree had purchased 28 Provencal. 20 Village Lane was sold in October that year to Charles Gorey, an executive at Chrysler in charge of special products. It was then sold to Peter Thurber, a prominent member of the community – he was a lawyer with Miller, Canfield, Paddock and Stone, and throughout his life maintained a lifelong commitment to helping others through multiple organizations such as the Community Foundation of Southeast Michigan, and the American Red Cross. His parents were Cleveland and Marie Thurber who had commissioned 90 Kenwood to be built in 1929. In May 1969, 20 Village Lane was sold for $45,000 (around $400,000 today), it was purchased by Fred M. Deutsch. Images courtesy of: GoogleEarth








It is not clear when the address of the property was changed from 16910 Village Lane to 20 Village Lane. You can read a more in-depth story about this street by clicking here. 


The architect, D. Allen Wright, was a noted Detroit based designer. It appears he created over 20 residences in Grosse Pointe. Between 1926 and 1930, many of his creations were large French inspired homes, typically in the Normandy and Provencal style - his work provides many fine examples of this architectural approach. Two of Wright’s larger and more prominent projects are 114 Lewiston (completed in 1929) and 166 Ridge Road (completed in 1927).








Post 1930, Wright’s style began to evolve considerably. Many of his designs displayed characteristics of modern architecture that was gaining in popularity throughout Europe and America, thanks to the growing influence of the Bauhaus in Germany. Two fine projects completed by Wright during this era in Grosse Pointe were 905 Lakepointe - Grosse Pointe Park, and 846 Grand Marais (both completed in 1937).


20 Village Lane is an exquisite home, uniquely styled, and full of charm. Next week we delve deeper into the work of D. Allen Wright with a two-part presentation featuring many of the homes he designed in Grosse Pointe.


 


* Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.



Written by Katie Doelle


Copyright © 2026 Higbie Maxon Agney &amp; Katie Doelle
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    <pubDate>Tue, 20 Jan 2026 12:28:00 -0600</pubDate>
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    <guid>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--kenwood-road.html</guid>
    <link>https://www.higbiemaxon.com/blog/historical-architecture-of-grosse-pointe--kenwood-road.html</link>
        <author>kay@higbiemaxon.com (Kay Agney)</author>
        <title>Historical Architecture of Grosse Pointe – Kenwood Road</title>
    <description> <![CDATA[ 



Last week we visited 109 Kenwood, a magnificent home in Grosse Pointe Farms. Completed in 1929, it was designed by the “Dean of Detroit Architects”, Geroge D. Mason for Lynn McNaughton, vice president in charge of sales at Cadillac.


This week we stay on Kenwood to look at a selection of beautifully crafted houses on the street, created by some of the leading architects of the early 20th century. The architectural styles on display include Colonial Revival, English Cotswold, Tudor, Dutch Colonial, and French Provencal styles. Many of the homes exhibit charming architectural features such as intricate brickwork, grand entrances, beautiful limestone detailing, and decorative pediments.


Let’s begin with the residences created by Robert O. Derrick, one of the most prolific architects in Grosse Pointe. He played a pivotal role in helping transform the architectural scene in Grosse Pointe from the 1920’s onwards.


70 Kenwood – Colonial Revival – 1927


70 Kenwood is particularly interesting. When the home was built it displayed a number of characteristics typically associated with the Mission Revival style, including a white façade, a red tiled roof, a semicircular arch over the center window, and a decorative iron trim on the porch - as depicted in the black and white photo below. However, at some point in its history the home has been changed significantly - the photo below presents a change in shape above the central window, the addition of a columned porch makes the entrance more elaborate, while the tile on the roof has been replaced with cedar shingles.


 





75 Kenwood – Dutch Colonial –1926





120 Kenwood – Colonial Revival - 1926


135 Kenwood – Colonial Revival - 1926


Raymond Carey, born in England in 1883, created three beautiful homes on Kenwood.


51 Kenwood – French Provincial –1927.


Displays several key characteristics associated with this approach including a steep roof, tall rectangular slender chimneys, and arched windows adorned by shutters. When first built, we believe the home had a cedar shake roof.





100 Kenwood – French Provincial – 1928.


This charming home displays many of the key characteristics associated with French architecture – a stone exterior, floor length windows on the first floor, a steep roof along with tall second-story windows each with a semicircular stone arch at the top.





138 Kenwood – Tudor Revival – 1929.


Often described as one of the grandest homes of the Grosse Pointes, this Tudor style residence was commissioned by W. Dean Robinson.





D. Allen Wright was a talented designer. His creations on Kenwood are excellent examples of the French architectural approach.


79 Kenwood - French Normandy – 1925.


Designed for Alvan Macauley Jr. this striking home is a prime example of this style that became increasingly popular in Grosse Pointe during the 1920’s.





104 Kenwood - French - 1928.





J. Ivan Dise created many stunning homes in the community. Much of his work in Grosse Pointe occurred during the 1920’s and 30’s including three stunning homes on Kenwood


130 Kenwood – Tudor Revival – 1926





90 Kenwood – French – 1929





93 Kenwood – Colonial - 1928


Prolific builder H.H Micou built 56 Kenwood, a Colonial inspired residence in 1928.





Finally, let’s not forget the work of Hugh T. Keyes, one of Grosse Pointe’s most prominent architects. Having created multiple homes in the Grosse Pointe’s Keyes was considered one of the most versatile architects of his generation.


78 Kenwood – English Cotswold - 1928





As we conclude our exploration of just some of the magnificent homes on Kenwood Road, it is worth mentioning that aside from the impressive compilation of residences, there is also the splendid collection of silver maple trees. The trees, located on the right-hand side as you head up the street from Grosse Pointe Blvd, are what remain of the nuns walk – a double line of trees that originally ran from the formal gardens of GP Academy to where Kercheval is today. Image courtesy of: Katie Doelle





So, take a walk-up Kenwood Road and enjoy the collection of exquisite homes on display, you won’t be disappointed.


 


* Photos courtesy of the Higbie Maxon Agney archives unless stated.


** Research, information, and data sources are deemed reliable, but accuracy cannot be fully guaranteed.


 


Written by Katie DoelleCopyright © 2026 Higbie Maxon Agney &amp; Katie Doelle
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    <pubDate>Tue, 13 Jan 2026 08:11:00 -0600</pubDate>
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