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Real Estate Blog

Last week we introduced you to William Ledyard Mitchell, and his striking residence located at 180 Ridge Road, Grosse Pointe Farms.

This week we stay with the Mitchell family and explore the residence of one of William Ledyard Mitchell’s sons, William Ledyard Mitchell Jr. (born in 1912), and his former home at 61 Kenwood Road.

The Dutch style 5,351 sq ft colonial home was completed in 1929, having been designed by the firm of Weston and Ellington. It is constructed of whitewashed brick and white clapboard.

The first floor features a large screened porch (15’ x 27’), library (10’ x 14’) living room (16’ x 24’) and a dining room (15’ x 20’). The living room contains a large natural fireplace while French doors open on to a 15’ x 27’

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Last week we journeyed back to the late nineteenth century and explored the Queen Anne style home of prominent Detroiter Henry Brockholst Ledyard.

This week we would like to introduce you to another prominent Detroiter with Ledyard in his name – Mr. William Ledyard Mitchell, and his home at 180 Ridge, Grosse Pointe Farms.

William Ledyard Mitchell, born in Cincinnati, 1881, was a key player in the auto industry during the 1920’s and 1930’s - as secretary and vice president in charge of manufacturing for Chrysler after it was formed to succeed the old Maxwell Motor Corporation (in 1925). Source: The New York Times. In 1926 he became general manager, and in 1929 he was named board chairman of the export division. Three years later, in 1932, William

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Michelle Agosta will be holding open 22625 ALGER, ST. CLAIR SHORES 

IMPECCABLE UPDATED 3 BEDROOM RANCH FEATURES EAT-IN KTICHEN, DINING ROOM, SPACIOUS LIVING ROOM, FULL BATH, HARDWOOD FLOORS, NEW WINDOWS, RECREATION ROOM AND EXTRA BEDROOM.OFFCIE IN BASMENT AND MORE! PRIVATE YARD! THIS 1,1065 SQ. FT. HOME IS LISTED FOR $149,000.

 

We look forward to seeing you!

For a full list of this weekend's Open House's visit: http://ow.ly/IbJi30lgbZh

 

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Over the past couple of weeks we have presented two architects who were big names in the city, during the 1920’s, but were somewhat lesser known in Grosse Pointe – William Kapp and Rupert Koch. 

This week we journey back to the late nineteenth century and explore the Queen Anne style home of prominent Detroiter Henry Brockholst Ledyard.

Towards the end of the nineteenth century Grosse Pointe was a vastly different scene to the community we live in today. Land was at a premium and the area was becoming a ‘hotspot’ for wealthy Detroit businessman to build large summer cottages for their families. Many of the new constructions were typical of the Gothic Revival and Queen Anne architectural styles of that period. Given this was where families would

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Last week we introduced you to the extraordinary work of William E. Kapp. He was a somewhat lesser known architect in Grosse Pointe, but was a ‘big name’ in the city. Under the employment of Smith, Hinchman and Grylls he created several iconic buildings including Meadow Brook Hall, The Detroit Historical Museum, and the Dossin Great Lakes Museum.

This week we continue our story by profiling another ‘big-name’ architect - but a lesser-known designer who came to Grosse Pointe – Rupert W. Koch.

Mr. Koch was a graduate of the University of Michigan and spent most of his career in Ann Arbor. He was one of the cities leading architects. One of his grand designs was the Ann Arbor mansion created for Leander J. Hoover, 1918. Set in an extensive 24 acre

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Having spent the last couple of weeks on Merriweather (Part 1 and Part 2), we now turn our attention to a lesser-known architect in Grosse Pointe – William E. Kapp.

Mr. Kapp is one of those architects who was a ‘big name’ in the city, but only came to the Grosse Pointe to work on a handful of projects. This was also the case with a number of other premier designers including: Albert H. Spahr, John C. Stahl and Bloodgood Tuttle (to name but a few).

Kapp was born in Toledo, 1891. Having completed his architectural degree at the University of Pennsylvania he returned to Toledo to set up his own private practice. In 1918 he moved to Detroit. It is believed he worked for Albert Kahn, and then, in 1920, went to work for the prestigious firm of Smith,

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Last week we introduced you to the street of Merriweather (Part 1), and its historical homes constructed between 1928 and 1931. We continue our journey this week with a review of some of the homes built between 1932 and 1939.

From researching the homes (we featured last week) it appears the residences on Merriweather cross a spectrum of architectural styles. The majority is in the colonial approach, however there are some wonderful examples of French inspired architecture, which was popular in Grosse Pointe during the late 1920’s through to the 1940’s.

1933
The extremely talented D. Allen Wright designed 170 Merriweather. Wright designed at least 15 houses (that we know of) in Grosse Pointe. Many of these residences (during the late 1920’s and

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Having recently covered the work of versatile architect Hugh T. Keyes we now return to exploring one of the many significant streets in Grosse Pointe Farms – Merriweather. 

A couple of weeks ago we featured one of the earliest homes to be constructed on Merriweather, number 175, designed by accomplished architect Louis Kamper. Having provided you with a brief insight into the history of the prestigious road lets now return to the street and explore some of the other wonderful homes that are on display. 

Merriweather was originally part of a large cherry orchard. Based on research by the Grosse Pointe Historical Society we know that ‘prior to the 1940s, the area was an expanse of undeveloped fields from Merriweather to Cloverly Road in the block

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Last week we presented three superb homes by the architect Hugh T. Keyes that have sadly been demolished. This week we stay with this multi-talented designer and present four further homes.

These homes still exist today – 379 Lakeland, 174 Touraine, 17845 Jefferson (25 Fisher Rd), and 60 Renaud. What makes these homes particular interesting is the diverse range of their architectural style.

We have discussed, on several occasions, the rich and varied repertoire of this particular architect, but we have yet to explore these four homes in depth, and present Keyes ever-evolving style(s). 

Early on in his career Keyes spent time in Europe, traveling in England, France, Italy and Switzerland gathering inspiration - evident in much of his work

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So many of the architects we have written about have not only left a lasting impression on the architectural scene in Grosse Pointe, but across many of the communities in Metro Detroit. One such example is Louis Kamper, who we reviewed last week, and his work at 175 Merriweather. This week we continue the theme with three homes by Hugh T. Keyes. 

Hugh T. Keyes was a phenomenal architect; we have featured his work on many occasions. His work centered on creating grand estates for the industrialists of Metropolitan Detroit (clients included Ford, Hudson-Tannahill, Bugas and Mennen) and he is considered to be one of the most versatile architects of the period.

Born in Trenton, MI in 1888, he studied architecture at Harvard University and worked

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